Mozart wrote Die Zauberflöte (The Magic Flute) for a suburban theatre in Vienna, the Theater auf der Wieden. He drew on the magical spectacle and earthy comedy of popular Viennese theatre.
approximately 2 hours 45 minutes
Secondly, what language is the Magic Flute sung in? German
Furthermore, what is The Magic Flute based on?
The Magic Flute (German: Die Zauberflöte pronounced [ˈdiː ˈt?sa??b?ˌfløːt?]), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue.
Where was the magic flute first performed?
Theater auf der Wieden, Austria
Is Sarastro Pamina’s father?
*As in the Bergman film, Sarastro is revealed to be Pamina’s father. No surprise there – virtually every modern Flute retelling (book, movie, ballet, etc) has made Sarastro Pamina’s father. Unlike the Bergman film, however, this version tells us his and the Queen’s back-story.
Why does the Queen of the Night want to kill Sarastro?
Sarastro tells the prince that he abducted Pamina to keep her away from her mother’s evil influence. It appears that the Queen of the Night sent Tamino to kill Sarastro hoping to get rid of her rival and get her hands on the Circle of the Sun.
What is the highest note in The Magic Flute?
I believe that Mozart’s “Queen of the Night” aria from “The Magic Flute” would qualify. It has a high F, which is right on the line for most coloraturas. In fact, when people talk about the highest note sung, this is the aria they talk about. It’s certainly the most famous one with the highest notes.
Is Papageno a bird?
Papageno is a bird-catcher who sells his birds to the Queen of the Night.
What opera is Queen of the Night from?
The Magic Flute
What does Papageno mean?
User Submitted Meanings According to a user from Texas, United States, the name Papageno is of German origin and means “The name comes from the German word for parrot (“Papagei”), referring to someone who speaks without understanding, like a parrot does.”.
What does the Queen of the Night represent?
So who or what does SHE symbolize? That’s easy. For Mozart, the Queen of the Night represents that segment of his well-meaning Austrian neighbors who were suspicious of Freemasonry; neighbors who now included the Emperor himself, Joseph II.
Who sings Queen of the Night in Volvo commercial?
Emily Cheung singing Queen of the Night Aria – The 2019 Volvo XC90 – YouTube.
Did Mozart play flute?
Wolfgang Amadeus Mozart (1756-1791) didn’t play the flute, and once suggested he didn’t even like it. Mozart’s over 600 compositions include two flute concertos, four flute quartets, and beautiful lines for the instrument in many of his other works.
What language did Mozart speak?
Answer and Explanation: Born and raised in Austria, Mozart’s native tongue was German, but he was also educated and fully fluent in French and Italian. He studied Latin
Why is The Magic Flute important?
The Magic Flute is noted for its prominent Masonic elements. Schikaneder and Mozart were Masons and lodge brothers, as was Ignaz Alberti, engraver and printer of the first libretto. The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism.
What does the Magic Flute mean?
That The Magic Flute is a barely veiled Masonic allegory cannot be doubted. It acts, in fact, as a kind of introduction to the secret society. Its story celebrates the main themes of masonry: good vs. evil, enlightenment vs. ignorance, and the virtues of knowledge, justice, wisdom and truth.
Is The Magic Flute a comedy?
Opera Atelier espouses truth in advertising: The Magic Flute, they tell us, is a Singspiel in two acts. You can call it a play with songs, a musical comedy, even an operetta, but hardly an opera in the traditional sense.
Did Mozart write The Magic Flute?
Die Zauberflöte (The magic flute) is among the best known of the 22 operas written by the Austrian composer Wolfgang Amadeus Mozart (1756–91). Mozart composed the opera in the spring and summer of 1791, with the exception of the Overture and the March of the Priests at the beginning of Act II.